Jun 10, 2016

Cannes first-look review: Park Chan-Wook's The Handmaiden (Mademoiselle, 2016) | Sight & Sound | BFI

Making extensive use of flashbacks to parcel out crucial detail throughout the runtime, The Handmaiden loosely reworks Sarah Waters’ best-selling novel Fingersmith as a 1930s-set Korean kink-fest, in which two women cross and double cross each other in an effort to secure their independence. Co-written by Park Chan-Wook (of the breakout ‘Korean extreme’ Vengeance trilogy et al) with Seo-Kyung...

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